Alberto Amoretti is 36 and lives in Milan. He is a screenwriter, author and director. Since 2011 he has written TV-movies and series for Italian networks RAI and Mediaset. Meanwhile he worked as playwright with Atopos Theater Company. Combining his words with the images of Giovanni Hänninen, he has also written reportages for Italian magazines and curated photographic exhibitions. In 2017 he debuted as director with the documentary Atopos, theatrical genders. He is director and co-author of the documentary series Senegal/Sicily that was presented at Centro Internazionale di Fotografia in Palermo and at Dak’Art 2018 – Biennale of Contemporary African Art of Dakar.
Johanna Bramble (born 1976 in Paris, France) is a textile artist and designer who moved from France to Dakar, Senegal, more than ten years ago. She is founder of a weaving workshop and of the brand Johanna Bramble Créations for interior design, accessories and collaborates with fashion designers. Her commercial textile designs are based on traditional Senegalese hand weaving practices. In her artistic work she stretches the boundaries of the country´s textile heritage, including modern materials and cross-cultural encounters. For Bramble, textiles are witnesses of the evolution of civilization, allowing us to glimpse unsuspected links between cultures. They free our minds of geographical and political borders. A feature about her work was presented on the international design platform Design Indaba (2017), she is regularly showing her work at the biennale Dak’Art in Dakar.
Leone Contini (1976, Florence) has studied Philosophy and Cultural Anthropology at Università degli Studi di Siena. His research, mainly focused on intercultural frictions, conflict and power relations, displacement, migration and diasporas, borrows the tools of contemporary anthropology in order to short-circuiting spheres of common feelings and significance through the use of lecture performances, collective interventions in public space, textual and audio-visual narratives, blogging and self-publishing. He has exhibited or held interventions at Centro per l’Arte Contemporanea Luigi Pecci, Prato (2012); Khoj, New Delhi (2014); Kunstraum, Munich (2014); 2nd Tbilisi Triennial, Georgia (2015); D-0 Ark Underground Biennial, Bosnia (2015); Delfina Foundation, London,(2015); Quadriennale, Roma (2016); Topane i-Amire, Istanbul (2016); Gam, Torino (2017) and Mudec, Milano (2017), Manifesta, Palermo (2018). Contini lives and works in Tuscany.
Aliou ‘Badou’ Diack(born in 1987 in Sidi Bougou in the department of Mbour, Senegal) studied at the Ecole Nationale des Arts de Dakar (ENA) in Dakar. Aliou Diack’s work is characterised by layers of acrylic paint combined with natural pigments. In his painting process he integrates elements of the actual natural work surroundings leaving traces on the canvas. His visual universe of neo-naturalistic motifs typically draws on memories of the rural landscape of his childhood, connected with elements of the urban jungle. Bestiaries and hybrid creatures come to life and recall traditional tales and stories. In 2017 his work was presented in group shows at Art X Lagos, Nigeria; Galerie Nationale des Arts, Dakar, Senegal; Hôtel de la Mairie, Gorée Island, Senegal and Regards sur cour in Saint Louis, Senegal. in 2018 his work was part of the Biennale de Dakar, Dak’Art. Off at Ancien marché malien, Laboratoire Agit’Art.
Giovanni Hänninen was born in Helsinki in 1976. He lives and works in Milan. He holds a Ph.D. in Aerospace Engineering and teaches Photography for Architecture at the Architecture and Urbanism Department of Politecnico di Milano. Photographer for the Filarmonica della Scala orchestra. He realizes researches for public and private institutions. Among his recent projects are: Il viaggio di Roland Ultra (2013), Mix City (2014), Sound Vision (2014), cittàinattesa (2012 – 2015), Mi-Bg 49km (2015), Thread (2017), People of Tamba (2018), Layered Mumbai (2018).
Mohamed Keita is born in Ivory Coast in 1993. His photographic practice can be characterized through an incessant exploration of the urban environment, conducted aimlessly and with interest for unexpected encounters. His gaze is attentive to what is on the margins and for this reason often goes unnoticed: people and things not integrated into the fast and productive flow of life in the city, frozen in sharp, intense, sometimes ironic images. In 2016 the Istituto Italiano di Cultura in New York displayed his work alongside photographs of Paolo Pellegrin. Keita’s photographic work was featured in several institutions in Italy, including Museo MACRO, Rome (2016) and Centro Pecci, Prato (2018).
Juan Pablo Macías (Mexico, 1974), studied visual arts at the University de las Américas in Mexico, after the Complutense in Madrid; in 2005 he took part in the residency program of the Ratti Foundation in Italy with Alfredo Jaar. The work of Macias explores the relation between systems of representation and affectivity, and analogically, between power knowledge and insurrectional knowledge. With his actions, interventions, work on archives and editorial projects, he intends to cause tensions between institution, art practice and social field, abandoning flat semantics by producing programs that operate directly on the biological, social and economic bodies. His work was on display in major art museums in Mexico and in institutions around the world as Kunstraum München, Munich (2013); Italian Embassy in Berlin (2015), Goethe Institut, San Paulo (2015) and VCRC Kiew (2015).
Fabrice Monteiro is of Belgian-Beninese ancestry and has been living and working in Dakar since seven years. Industrial engineer by education, he worked as a model before he started to dedicate himself to photography in 2007, thanks to Alfonso Pagano, an American photographer and friend. Monteiro´s portfolio of work spans photojournalism, fashion photography and portraiture. The culture, society and religion of Africa is his primary source of inspiration. He aims to create a bridge between cultures. Keen to avoid exotic representations he maintains his personal and third perspective. Monteiro’s work has been part of many international shows: Rencontres photographique de Bamako(2015), Lagos Photo Festival (2015), Vitra Museum, Weil am Rhein (2015) and at Hartware MedienKunstVerein Dortmund (2017). Upcoming shows in 2018 include the Smithsonian Museum of African Art in Washington DC, and the Museum of Contemporary Photography in Chicago as well as the Dak´Art Biennial.
Mario Pfeifer (1981 in Dresden) explores representational structures and conventions in the medium of film, at locations such as Mumbai, California and the Western Sahara. He combines cross-cultural art historical, filmic and political references in rich overlays. He has had many solo shows in institutions around the world, including Museo Nacional de Bellas Artes, Santiago de Chile (2014), Fotomuseum Winterthur (2015), Museum of Contemporary Art – GFZK Leipzig (2016) and Kunstsammlungen Chemnitz (2018). His films were screened at MoMA PS1 in New York (2013), Kunsthaus Bregenz (2013), Seoul New Media Festival (2015), Filmfestival Oberhausen (2016) and CAC Contemporary Art Center, Vilnius (2016). He participated in the Biennales of Montevideo (2016), Porte Alegre (2018), Berlin (2018), Pfeifer received the VideoArtAward Bremen (2010), the Salon Video Art Prize London (2011) and Celeste Video Art Prize (2012) in Rome.
Judith Raum (born 1977, lives in Berlin) studied at the Städelschule in Frankfurt as well as at Cooper Union School of Arts and Parsons School of Design, New York. After her studies she completed a Master‘s degree in Philosophy, Art History and Psychoanalysis. She devotes her artistic work to complex narratives (a recent project that took several years followed the construction of the Anatolian Railway by a consortium of the German Empire) and their contingencies, e.g. collisions between their subjective and objective vehicles. Judith Raum‘s lecture-performances and installations have been shown in many international institutions since 2005, including Ludlow 38, New York City (2014); Salt, Istanbul (2015); Haus der Kulturen der Welt, Berlin (2015); Careof, Milan (2015) and as part of the German Pavillon at the 15th International architecture exhibition in Venice (2016). Judith Raum has been Villa Romana fellow in 2015.
Lerato Shadi born 1979 in Mahikeng, South Africa, lives and works in Berlin. She studied art at the University of Johannesburg. Her practice investigates the politics of the body, of the female body, the body of the black South African woman. In her work Lerato deals with themes of institutional violence, of the patriarchal and colonial strategies of exclusion and oblivion and of the resistance through subjective narratives. Shadi works with different media including drawing, performance and video. Her works have been presented in many museums and project speces, including the Biennials of Moscow and Dakar.
Patrick Joel Yonkeu aka Omraam Tatcheda was born in 1985 in Douala, Cameroon. After a scientific training at the Saint-Jean Baptiste Catholic School in Bangangtè, he finally decided to dedicate himself to art. Thanks to a scholarship, Tatcheda went to Italy where he studied painting for four years at the Academy of Fine Arts in Bologna. He received a Master in Visual Arts on the theme “Zen in art” in 2016. In Bologna he has been creating intercultural painting workshops with schools and associations in the Emilia-Romagna region. In 2016 Tatcheda has been artist in residence at Thread residency and cultural center of The Josef and Anni Albers Foundation in Sinthian, Senegal. His works were on display at the IV Biennale Internazionale delle Sculture di Salgemma in Sicily (2017), at Fondation Sindika Dokolo, Luanda (2017), at Black History Month Florence (2018) and La Galleria Nazionale, Rome (2018). His work will be shown at the 2018 Dak’Art Biennale.
Justin Randolph Thompson, sculptor, media artist and musician, was born in 1979 in Peekskill, NY. He lives in Italy and the USA. Thompson’s work questions the implications of cultural relics and the mutability of their veneration within the context of displacement. Broadly collaborative and inherently interdisciplinary he relies upon the collective power of creative dialogue to provide platforms that envision communities as temporary monuments. Resisting a legacy of American triumph and problematizing aspirations towards Roman expansionist history, site-specific works engage community-oriented groups across disciplines in the creation of installations and sound-based performances utilizing gestures of labour as rhythmic structures. Thompson exhibits internationally and has been an Artist in Residence, ia. at the Whitney Museum of American Art, the Reina Sofia, the Mobile Museum of Art, and the American Academy in Rome. He is co-founder of the Black History Month Florence, which exists since 2016.